Re: The Rose Show [was: Doctor Who]
Some questions.
1. Can anyone explain to me why there are so few lingering camera shots in New Who?
2. Or why there's a need for the shorthand of specifically scripted 'jokes' rather than humour rising naturally from situations and interactions between the characters?
3. Maybe there's a reason that RTD and colleagues feel that quick setup, ten minutes or wandering about and then straight into the conclusion is a good outline for a general Who episode structure?
4. Why is the show in fact so totally rushed looking and generally underwhelming?
Because it now is exactly that and, if truth be told, it wasn't all that overwhelming last year either. Take out the Doctor from most New Who and you have either a mass of cliches or a mess of absurdities - and we should know because RTD and co take the Doctor out of the story at every available opportunity.
The latest installment, Fear Her, was so bad that I'm quite happy now for people to refer to this season as Season 2, instead of Season 29 - the new show just has so little in common with what made the old one great that they're really not the same type of show at all, never mind the same specific show.
Where once there was a TV series with the world's simplest yet most brilliant concept at heart - there's this guy who can travel anywhere and anytime in a battered Police Box - now there's a soap opera which is really an ensemble piece about a London girl and her family and friends, one of whom happens to have this handy time machine.
That Rose is the key character in the show is becoming more evident by the minute, to the extent that next week's invasion of the Cybermen story isn't being trailed as that at all but as a 'What happens to Rose/hey look - there's a new spin-off series called Torchwood?' sort of shebang. Which is so wrong it's laughable. I don't really care what happens to the companion and no chikd I know does much either (me, I know the Doctor can get a new one whatever occurs - what can I say, I've become hardened since the end of Earthshock). And trail the new bloody series in the adverts like everyone else does, not in the middle of another show and more often than Big Finish shovelled Zagreus into every audio for a year prior to the release of that anniversary story (and is that really the kind of preceedent RTD wants to mirror - because Zagreus was such a roaring critical success?)
Last year was very similar in respect of Rose/Doctor importance. The Doctor solved sod all, but never mind, plucky li'l Rose will save the day (or the attractive homosexual space captain will, if she's tied up emoting somewhere - Christ, just how many Mary-Sues does RTD need?), but Chris Eccleston is so much better an actor than most of the scripts deserved that it wasn't half so noticeable.
Tennant however is a journeyman actor, no more and no less and just isn't capable of taking bad writing and turning it into somethng good. So we end up with rubbish like this week's offering where a reject for the original Sapphire and Steel sctipting sessions gets combined with the Spongebob episode, Frankendoodle, all presented in true Children's Televsion Workshop style by the letters L, O, V and E. And it's as truly shit as it sounds because Tennant can't drag bad plots up to a higher level, there's no subtlety in his performance (possibly not helped by the decision to have him use an accent other than his own for no good reason) and anyway, by now RTD thinks that Rose is all that matters to anyone anyway.
Maybe he's right - maybe it's just me that misses the days when the show - crap special FX and occasionally ludicrously bad acting and all - was about this time traveller and how clever he could be and how he would help people in interesting and imaginative ways. How he was rarely vicious or violent, but was still no-one's fool and how the places he went to and the people he met were genuinely magical, in a way that no other TV show before or since has come close to matching.
Becuase the new Who isn't really that bad a TV series. It's on a par with much of Buffy, but not as good as Life on Mars; it's miles better than Tru Calling but not even inhabiting the same universe of quality as Firefly; it's better written at times than BSG, but much more seems to happen that we care about in BSG (actually much more seems to happen in almost ever other programme than in New Who).
It's...OK. But that's all it is - and it used, once upon twenty years ago, to be the single best television programme ever made.
I'm grumpy, I'm just getting over the flu, and I hated Fear Her more than any other Who episode yet so maybe it is just me being a cranky old arse, but I find it genuinely sad that this is what we waited sixteen years for.
1. Can anyone explain to me why there are so few lingering camera shots in New Who?
2. Or why there's a need for the shorthand of specifically scripted 'jokes' rather than humour rising naturally from situations and interactions between the characters?
3. Maybe there's a reason that RTD and colleagues feel that quick setup, ten minutes or wandering about and then straight into the conclusion is a good outline for a general Who episode structure?
4. Why is the show in fact so totally rushed looking and generally underwhelming?
Because it now is exactly that and, if truth be told, it wasn't all that overwhelming last year either. Take out the Doctor from most New Who and you have either a mass of cliches or a mess of absurdities - and we should know because RTD and co take the Doctor out of the story at every available opportunity.
The latest installment, Fear Her, was so bad that I'm quite happy now for people to refer to this season as Season 2, instead of Season 29 - the new show just has so little in common with what made the old one great that they're really not the same type of show at all, never mind the same specific show.
Where once there was a TV series with the world's simplest yet most brilliant concept at heart - there's this guy who can travel anywhere and anytime in a battered Police Box - now there's a soap opera which is really an ensemble piece about a London girl and her family and friends, one of whom happens to have this handy time machine.
That Rose is the key character in the show is becoming more evident by the minute, to the extent that next week's invasion of the Cybermen story isn't being trailed as that at all but as a 'What happens to Rose/hey look - there's a new spin-off series called Torchwood?' sort of shebang. Which is so wrong it's laughable. I don't really care what happens to the companion and no chikd I know does much either (me, I know the Doctor can get a new one whatever occurs - what can I say, I've become hardened since the end of Earthshock). And trail the new bloody series in the adverts like everyone else does, not in the middle of another show and more often than Big Finish shovelled Zagreus into every audio for a year prior to the release of that anniversary story (and is that really the kind of preceedent RTD wants to mirror - because Zagreus was such a roaring critical success?)
Last year was very similar in respect of Rose/Doctor importance. The Doctor solved sod all, but never mind, plucky li'l Rose will save the day (or the attractive homosexual space captain will, if she's tied up emoting somewhere - Christ, just how many Mary-Sues does RTD need?), but Chris Eccleston is so much better an actor than most of the scripts deserved that it wasn't half so noticeable.
Tennant however is a journeyman actor, no more and no less and just isn't capable of taking bad writing and turning it into somethng good. So we end up with rubbish like this week's offering where a reject for the original Sapphire and Steel sctipting sessions gets combined with the Spongebob episode, Frankendoodle, all presented in true Children's Televsion Workshop style by the letters L, O, V and E. And it's as truly shit as it sounds because Tennant can't drag bad plots up to a higher level, there's no subtlety in his performance (possibly not helped by the decision to have him use an accent other than his own for no good reason) and anyway, by now RTD thinks that Rose is all that matters to anyone anyway.
Maybe he's right - maybe it's just me that misses the days when the show - crap special FX and occasionally ludicrously bad acting and all - was about this time traveller and how clever he could be and how he would help people in interesting and imaginative ways. How he was rarely vicious or violent, but was still no-one's fool and how the places he went to and the people he met were genuinely magical, in a way that no other TV show before or since has come close to matching.
Becuase the new Who isn't really that bad a TV series. It's on a par with much of Buffy, but not as good as Life on Mars; it's miles better than Tru Calling but not even inhabiting the same universe of quality as Firefly; it's better written at times than BSG, but much more seems to happen that we care about in BSG (actually much more seems to happen in almost ever other programme than in New Who).
It's...OK. But that's all it is - and it used, once upon twenty years ago, to be the single best television programme ever made.
I'm grumpy, I'm just getting over the flu, and I hated Fear Her more than any other Who episode yet so maybe it is just me being a cranky old arse, but I find it genuinely sad that this is what we waited sixteen years for.
Labels: doctor who, tv reviews